![]() She’s pursuing her own version of the American Dream, and the mess she leaves in her wake makes up the crux of this very black, very funny comedy. This Coen Brothers favorite has an unsurprisingly incredible cast, but can we take a moment to give all of the awards and props to Frances McDormand? Her Linda Litzke is one of the strangest, most hilariously bizarre characters to ever appear in a film, and yet there’s something completely familiar about her. Tom Hanks is excellent as Goldthwaite Higginson Dorr-a flawed mastermind, and one who reforms too late. This is a story of a failed casino heist, but deep down it’s also a morality play (and an interesting prelude to A Serious Man). Yes, there are a few dumb jokes about IBS, and not all of the characters in the ensemble cast quite make sense, but the black comedy disguises something poetic in the manner of that most gothic of poets, Edgar Allen Poe. The Ladykillersis considered one of the lesser movies from the Coens, but those who dismiss it fail to recognize the beauty and the eeriness amid the clutter. George Clooney returns to collaborate with the brothers, post- O Brother-again seemingly having a fantastic time playing a know-it-all with a very specific requirement in vanity maintenance. So what could have been a thoroughly generic, forgettable romantic comedy, instead benefitted from the Coens’ unique screwball and satirical stamps. But after numerous delays, actors and directors backing out, they were tapped to just go ahead and helm the damn thing already. Their involvement in the project began modestly they were hired by the studio for a script rewrite. The Coen Brothers first, and (to date) only, entry in the rom-com genre is an oddity in their oeuvre, for certain. So, do they do their best work in comedy, or drama? Really, the only fair answer to that question is, “Yes.”īearing that in mind, here is every movie from the Coen Brothers, ranked: Anton Chigurh’s gambit with a hapless gas station attendant, resulting in the highest-stakes coin flip imaginable, is easily one of the most intense and unsettling scenes ever committed to film. Raising Arizona’s opening sequence-one of the greatest (and most hilarious) in cinematic history (and arguably the greatest example ever of time compression in film) is 11 minutes of perfection in motion. And as for their best work? Well, that can be downright arbitrary, critically speaking. Even the ones that don’t work as well overall are still technically well-made, and contain any number of their own small pleasures. 5th), now is a perfect time to reflect on the duo’s long career as virtuosos of the highest order.Īnd that’s what makes ranking their films so outrageously difficult. With excitement building around their latest project, the Hollywood-based comedy Hail, Caesar! (Feb. The Coen Brothers are movies few directors in the history of the medium can claim a body of work full of such iconic characters, spectacular images, and unforgettable soundtracks.
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